CONTACT SHEET FROM FRANKLIN’S ROY IS DEAD 7″ BY SCHUMOW

Before computers, I’m not really sure how any records cover art was created. It’s still rather baffling to me. In fact, considering some of the disastrous covers that are featured on some early recordings my friends and I were apart of, one could say we were exceptionally bad at getting our design ideas translated into a finished product that actually looked and felt like a real record. Nowadays it’s all ones and zeros, but then…well, who knows what the hell it took but thank god for the simplicity and beauty that is the black and white, photocopied sleeve.

I came across these contact sheets in an old folder. They were shots taken by Jenn Schumow on Ralph’s roof on Wharton Street in South Philly. I believe Roy was living there as well but I could be wrong.

These photos were taken for our Roy is Dead 7″ and as you can see, several frames are cut out. At the time, we cut out the photos we liked to include in the layout. We couldn’t simply send the electronic file to be easily re-sized and properly laid out by a professional. We had to cut the shit out and send it in the mail with crude diagrams and mock-ups. It was pretty funny actually. Fortunately, Yannick Lorraine, the fella who put the 7″ out, had some real design experience and he managed to make the release look pretty spot on.

It was a grey, miserable day up there on Ralph’s roof but I always liked how these photos turned out.


RANDOM PHOTOS FROM RANDOM TIMES

Ever gotten ahead of yourself?

I realized this afternoon that I had uploaded many, many images and photos that I have yet to post here on the GoKidGo blog. Thus, it’s already time for some housecleaning. Meaning, before I add anymore files to our server, I am promising to clean out the backlog. The positive of that being more posts at a quicker clip.

The negative? Well, I’m not sure there is but I’ll keep thinking.

Today, we’ve got several photos that were sent to me a while back. While I don’t have any real stories to accompany these photos, I hope they kick start something from your own memory if you were there.

Most of these photos were taken during matinee shows at JC Dobbs on South Street. I’ve talked ad nauseum about JC Dobbs and how important that space was for putting on shows and seeing shows in the early 90′s but it really can’t be stressed enough. The photo above is actually Chumbawamba playing Dobbs on the Shhh! tour. Fracture opened up the show.


Here’s a somewhat random photo of Dan Goldberg (who had played with Vile, Up In Arms and Public Descent playing guitar with a later band of his. Unfortunately, I’m not positive which band this might be.


I have absolutely NO idea who this is. However, I wanted to post it because it’s just fun looking at old photos from Dobbs. For all I know, this could be Nirvana. It isn’t of course, but that’s how little I know about this photo.


This might be my favorite photos of all time. It features Atom with Rob who played drums for Fracture, Barry and Matt. I believe the name of this band was Pleasant Greene but again, I have no idea. I just like that everyone looks confused.


Finally, here’s a photo of the 2.5 Children playing at JC Dobbs. Again, sadly, I don’t know much about this photo or the band in general but maybe you do!


A LETTER TO THE EDITOR ABOUT FRACTURE AND THIS BLOG


A funny thing happened yesterday. You might recall that I mentioned how I had obviously been a bit lax in updating this site. After I posted that article I felt a bit silly even acknowledging that I’d been lax because I’m not really sure that anyone even reads what I post here. Sure, a couple friends do, I’m sure, I can tell by the comments. But how many strangers read this blog? How many people not already intimately aware of the events surrounding the items posted here actually care?

Welp, as I got home yesterday, I had an email from a fella named Thomas Kretchmar. What follows is his email. I thought it was generous of him to take the time to write down his own thoughts so I asked if I could share them here. He said yes!

Sadly, he couldn’t furnish me with a photo of himself from the mid to late 90′s to go with the email. I think that might be a fun project to work on. Here’s his email. Enjoy.

Wow, Brian. I started going to punk shows in Philly late summer 1995, and then really got in the mix of that scene that fall/winter and in the years thereafter. I never heard a Fracture track until some time in the winter of 97/98 when my friend JohnPaul played a track – might have been Non Serviam – on WKDU and I immediately called in to ask him “what the hell was that?” — the song he had just played, melodic but blazing, had totally blown my mind. When he told me it was a local band that I had “just missed” my mind was blown again.

I was pretty involved in the Philly scene by that point and spent the next year of my life trying to get a hold of any Fracture records floating around out there. Nobody would part with theirs. I finally got a copy of the second 7″ from Sean Agnew by trading him a cordless phone for it (which I guess were pretty expensive things at the time). Or maybe it was the LP, not the second 7″. Can’t remember which I got first. I just remember the phone seeming like a very reasonable thing to part with to finally own some Fracture wax. After many more months of work I think I finally ended up with two copies of the second 7″, one of Lime, and two copies of the LP. (Had to double up where I could; those records were like gold.)

It killed me then (still does now) that I missed seeing Fracture live by what had to be the smallest window. I spent a lot of time trying to get information from people about Fracture, just to learn the story, etc. I heard some good bits here and there, but never a fully painted picture.

Life moves on and I’m 34 and I’m in NYC and all professional and white collar and somewhat grown up, but I still listen to punk tracks almost every day at work and at home. Like everyone else, I think, from time to time I hit up google to try and learn something new about some song or band that I already know. I probably hadn’t googled Fracture in a year or so until earlier today when I gave the anthology a spin for the first time in a while. And, whoa — the GoKidGo page came up. The unbelievably detailed GoKidGo Fracture page. With a goldmine of Fracture information. Christmas in April for me. Well Hannukah, whatever.

Anyway I just wanted to drop a note to say thanks for putting all of those posts up. I noticed in the “information” section you say that you put the site up so that “the folks involved could revisit from time to time” — well, believe me, there are probably tons of people out there like me who you never even met who are extremely, extremely appreciative of the effort involved. Thanks so much. Finding this treasure trove really made my day. It’s unreal to me that 15 years after first hearing Fracture – who I’ve long called one of my favorite punk bands ever – I finally actually know the band’s story and its stories. Thank you.

Tom

Thanks Tom! And the photo above is of Fracture playing the 5 Arlington space in Ottawa Ontario the summer of 1995. Photo by the ever talented Shawn Scallen.


TIM & DAVE


Jen Martinez posted these photos to facebook so I hope she doesn’t get mad that I pulled them and added them to this blog.

The reason I wanted to add these photos here is because they show two people who played a big part in my life at two, pretty awesome moments. I wasn’t present when either of these photos were taken, but I know both of those faces and smiles so well that just seeing these two pictures made me remember my own moments when they were there with me.

Sweet brothers.


VINTAGE ELBOHEAD T-SHIRT ON A DOG!


Another quickie today. Stavroula posted this photo on facebook today so, “thanks, Sula!”.

What you are looking at is just one in what would ultimately be a long line of ugly t-shirts my friends and I have printed over time to promote one thing or another.

It’s slightly odd because, upon reflecting, all of my friends are rather creative, visually talented individuals. Yet, for some reason we often made horrible decisions on colors when it came to t-shirts. I recall a Franklin shirt printed on a gloriously royal shade of purple. Brilliant. What makes it more incredible is that these shirts were pre-ironic ugly days that would haunt us in the 2000′s.

These Elbohead shirts, styled by Leyla Hanim, were printed sometime in 1991 to help generate some revenue to release records. As I mentioned before, we didn’t generate a lot of money from our releases so for every record we hoped to put out, creative thinking was a mandatory component of fundraising.

I had made a homemade Elbohead shirt and some folks had suggested selling them to raise revenue. Thus, we had these shirts printed professionally. I can’t remember how many we printed but it wasn’t too many, that’s for sure.

But, what is certain? They sure were ugly.

Apparently, Sula held onto this shirt for sometime. It’s nice to see it again.