No idea on this one. Clearly it’s Red Bank, NJ but I have no idea when this show occured. I’m thinking sometime in 1997 which is when Roy had decided to leave the band and Josh Mills brought his talents into the group.
It’s a short set but has some nice moments.
An old friend messaged me today asking if I remembered the date of the last Franklin show. I immediately responded, “1999” because while I did not remember the specific month or day, I absolutely swore I knew the year.
Franklin broke up in 1999 after playing two final shows in Philadelphia. The first final show was an all ages show with Unwound and Atom and His Package. Our second final show was a blow-out at the Khyber where we tried to play every song we ever wrote. When I asked him why he was curious about the dates he responded with a wonderful surprise – he had digitized a video he made of that final show.
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This friend spent his own valuable time encoding this video to share it with whomever was interested. Amazing.
Thank you Joe Coyle. Oh, and those final shows? They were played in 2000 not 1999. It seems the details of even the most cherished memories get fuzzy over time.
As I mentioned last week, Fracture reunited on Friday, July 18 to play a show at the Ruba club in Philadelphia. While tons of photos will be coming and additional video, I wanted to get these up. They were shot by Chris Zang. Thanks Chris.
The show was amazing.
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I remember standing in left field absolutely convinced I would get hit by a fly ball. Batter after batter came to the plate yet luckily, no hit ever found its way to my corner of the outfield. Fortunately for me, our defense had to only deal with sad grounders and loopy infield fly balls. Had it been an actual game and not just an after school practice I’m sure Murphy’s Law would have guaranteed a hilarious outcome. Something involving me underestimating the depth of the hit and trying to run at breakneck speed in an attempt to catch up to the ball that was already flying over my preoccupied head.
But frankly, at that moment, I couldn’t have cared less. You see, The Tazmanians had a show that evening.
Finding places to play for our high school punk band in 1990 was pretty difficult. In fact, outside of this “show” I think up until this point we had only played engagements that exclusively included our closest friends and their bands as spectators. These might better be described as “community band practices”.
But nevertheless, immediately following that soon-to-end baseball practice T.J. and I would head for the locker room to change and head over to our High School auditorium. We would meet Ron and Greg and set up for the Springfield High School Battle of the Bands.
I’m not sure whose idea it was to scheduled a Battle of the Bands but it was certainly out of the ordinary. At the time, I believe the only groups in our school were two punk bands and two metal bands, one being more in the vein of hair-metal than actual metal.
Nevertheless, our band The Tazmanians was one of those punk bands and we were on the bill! While the event was a competition where one band, chosen by the audience, would win some cash prize, I remember not being at all concerned with that. For us, just playing to a crowd that had never heard our songs seemed more important and revolutionary to our small lives. It gave weight to the hours we had spent in our parents sheds, garages, basements and living rooms learning to play our instruments. It gave us a chance to present songs that we hoped described our uniqueness in a sea of horrifying conformity and ultimately it presented us as a unified gang set against the horrors of modern suburban life…or so we desperately hoped. Sure, that sounds rather dramatic now but then? It’s probably not an overestimate.
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If you’re interested, here are the recordings of the songs we play in the live video above.
And then some photos from the evening…there’s a lot to take in here, of course. Lot’s of Peavey’s, the angle of Greg’s tom’s, my flannel, Ron’s fade…enjoy!
AM/FM, while being a gang of two, was intently focused on working with friends. Mike and I would always be looking for friends who were available to come into the studio and add their own touches to the songs we were working on. We never told them what to play or how to play it, we simply gave them a recorded version of the song and had them come in and work it out. It just made every experience that much more fun and obviously, communal.
From 1999 thru 2001, AM/FM was pretty much in the studio recording perpetually thanks to our friendship with Terry Yveres. Terry had played in several bands around Philly and started recording music as well and had a great set up at a studio called The Meatlocker. Located at 5th and Elsworth (or, the Nickle as others might call it) the Meatlocker was just that, an old meat storage locker that was turned into a warehouse and then into a studio. For AM/FM, it became a bunker from which we were able to spend hours and hours mucking about with the music we were making. Mike and I, along with Terry our unofficial 3rd member, formed a pretty great bond over those couple of years and I’ve often felt that those days were some of my most rewarding musical experiences. Just sitting in a studio with a couple friends knocking ideas about and seeing what happened.
On our second LP, Getting Into Sinking, we really started attempted more complex arrangements than we were used to. I don’t mean that in a compositional way, but more in a logistics sort of way. More on that in the future.
Probably the keystone track of Getting Into Sinking for us was the song Come Suck Down a Cloud. Written after a 72-mile bike ride with Mike and Atom on Cape Cod, the song was then recorded to 4-track upon my return home. That demo was then whittled about at the Meatlocker and released on a CDEP on the label Cooking Vinyl in the UK.
LISTEN TO THE DEMO: Come Suck Down a Demo
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Once we started working on Getting Into Sinking as a proper LP, Come Suck Down a Cloud song was massaged even more and ultimately, the decision to enlist a chorus for the big ending was made. However, keeping in the tradition of working with our friends, we made numerous phone calls and scheduled a day in February to have everyone come to the studio to sing live on the track.
Mike brilliantly decided to bring a camcorder with him to record the events of that day and that VHS tape has sat pretty much dormant since that cold day in February, 2001. That is, until I bought myself a video capture device.
Presented above is the edited documentary of the AM/FM Philadelphia Good News Singers performing on AM/FM’s song, Come Suck Down a Cloud.
Below, you can hear the final results.
