TRUE HIGH FIDELITY DEMO

Thanks to Atom and his summer break from teaching for unearthing this long thought lost gem!

True High Fidelity, when originally formed, featured Mark Scott of Fracture on singing duties. It was short lived, but this iteration of the gang recorded a demo. At the time, sadly, I recall people thought Mark’s singing sounded odd which is odd in itself because, listening now, it sounds pretty fucking righteous. I had believed there were three songs recorded for this demo, but Atom only came across two. Two is of course better than none.

I shot Mark an email to fill in some of the details and here’s what he had to say:

“Following the first Fracture and Franklin tour of 94, I’d become acquainted with the boys of True High Fidelity. Liked them all. Dave and Josh were hilarious. Chris was charmingly psychotic. Tim was the world’s nicest guy. When they asked if I’d like to sing with them, I was a) honored, b) excited to work with new personalities, c) excited to sing, and d) excited to work on music that was stylistically very different from that of the other band I was in and loved. We got along famously for a while, and in December of 1994, sojourned to Baltimore to record three songs at Social Services with the great Tony French. As happened with Chris O’Neil during the recording of the Fracture LP, I lost my voice from a combination of too many cigarettes in the freezing cold and too much barking into a microphone. We scrapped my vocals, and I resolved to record them back home at Chill Factor. My vocals were recorded by Eric Horwitz.

Shortly after the recording, I was dismissed from the band. With the benefit of hindsight, I think there were two factors. For one, I’d gone batshit crazy. For the other, the boys were moving away from their DC influences and gravitating (pun intended) towards the San Diego destructo sound, and were eager to scream and be crazy. In all honesty, they were much better at this than I was, and I think I enjoyed watching them after my exit as much as I enjoyed performing with them. I did, however, miss it.
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My final show with True High Fidelity was on my birthday, March 2, 1995, opening for our heroes Trenchmouth at Haverford University. I drank two 40’s and smoked a joint with Staley in the van just prior to our performance. I was most likely horrible, and hope no video exists, but I did enjoy it. I do think back on my time with those guys fondly. (Ed. note – I forgot all about this! I think Mark spent a good 40 minutes passed out in his mother’s mini-van from being too mucked up!)

Thanks Mark! Enjoy!

True Hi Fi – Mark 1

True Hi Fi – Mark 2

FRACTURE – FIRST DEMO

Believe it or not, I was actually able to get someone’s thoughts on a topic other than my own. A novel idea if I do say so myself. After some mild harassment, Atom sent me this great article about Fracture’s formation and the recording of the very first Fracture demo. While it never was officially released, the two songs here were made available on the Fracture CD discography that No Idea released. Sadly, there seems to be no trace of the original four song demo so I fear that two of the songs might be lost to time. Anyways, here’s Atom!

Fracture started originally I think with two singers, Jeff (traded from Up in Arms/Pleasant Greene for three first round draft picks and a player to be named later), who departed soon after for Public Descent and Chris, who would remain singing for the duration of the band. For its initial few months, Jeremy Rockett played guitar, Jeb Bell played bass and his younger brother Rob Bell played drums. I joined on a few months later, and though Jeremy had a way cooler name for playing music, for some reason, I stayed on as guitar barre chord player while he moved on to Public Descent. I’m pretty sure this separation happened the morning that we were to play a show at J.C. Dobbs in downtown Philadelphia. I don’t remember the details. Jeb, Chris and I played together for about six years as Fracture with some significant changes that I think Brian described in another post.

After we played for a few months, we had decided that it was time to record a 4 song demo that we were hoping to put out on Elbohead Records as a 7ā€. At the time, we were in 10th & 11th grades and though we were of similar ages as The Random Children (also better looking, wealthier and better athletes), from my perspective, they felt kind of like older brothers with respect to a playing music. The Random Children had been a cohesive band for a lot longer than us, had played shows, had a member who actually lived in Philadelphia proper and was made up entirely of members who wanted to be in the band. It seemed that Jeb conscripted his younger brother Rob to play drums for us, and while Rob seemed happy(-ish, anyways) to oblige, it seemed like he’d way rather be fixing up cars than playing with us. Regardless, whatever Jeb was threatening Rob with to keep him in the band was working and we were ready to record a few songs after a summer of practicing.

At this period in Fracture, we all (perhaps Rob excluded, because he liked artists the rest of us snobbily thought were ridiculous like Led Zeppelin, Black Album era Metallica & Yanni) adored Operation Ivy. This led Chris to frequently ask that our songs become exactly like they had been arranged, only ā€˜more ska’. We looked to our older/wiser bandfriends the Random Children since we had no idea about who recorded bands, how they recorded them and clearly how much was fair for someone to charge recording a band. We ended up recording at Jim Femino’s studios in the summer of 1991 because the Random Children had recorded their 7ā€ there. The recording cost us $800 or so, which at the time, considering the average gallon of gas was $1.12, was probably too much money for a band to pay that had, at nearly a majority share, sported solid state Peavey amps.

If my memory serves me correctly, my dad drove me back from the week down the shore with the family a day early so I could record my guitar parts after Jeb and Rob recorded the bass and drums. It was partially a memorable time, because during that early week in August, 1991, the steeple from the Oreland Presbyterian Church, which was located across the street from where many of us went to elementary school, was separated from the church during a very rare tornado. I remember driving by it with my dad on the way to the recording studio, with my solid state Fender Princeton Chorus (that’s right! Jeb’s got the Peavey!) amplifier, which I KNEW would be the last amp that I’d ever have to buy because:

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– It had chorus BUILT IN to the amp! Holy shit!
– It sounded great at a volume that wouldn’t disturb a lightly sleeping brother in the next room.

Anyway, here are two songs that ended up on the Fracture discography – not sure where the DAT went with the additional two songs (I believe they were called Me & Lime).

We ended up NOT putting these on a 7ā€ and ended up waiting until the fall of 1991/spring of 1992 to record the ā€˜Lime’ 7ā€ at ā€˜Rubber Groove’ studios in East Falls. That’s another story though.

Song O

Aspirin Feelings

FLIER DEPOT!

Chris O’Neill was kind enough to scan these old fliers from his personal collection. It’s definitely true that fliers, pre-computer design days, had a charm all their own. Cut up, xeroxed messes that showed actual hands-on interaction with the medium. Anyone could (and did) make fliers and each was a piece of art in their own right.

I suppose I could explain each of the shows these fliers were for, but maybe that would rob them of their charm. Too many words are bad sometimes. Enjoy!

By the way, is it “flyers” or “fliers”? I never can remember.


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FRACTURE LIVE AT GILMAN STREET – SUMMER 1995

Now this is one of the coolest things I’ve heard in a while.

Mark Scott emailed earlier this week mentioning that while looking for an old True High Fidelity recording he came across a live recording of Fracture playing at Gilman Street in Berkeley, CA in the summer of 1995. This was during the second Franklin/Fracture US tour and would ultimately be Fracture’s last tour.

Anyway, this recording from the sound board at Gilman is amazing and Fracture sounds fucking amazing. Sadly, some of the bass is lost in the mix so bass-beast master Jeb Bell is lost in most of the recording but the guitars and drums shred and it’s still one of the coolest live recordings I’ve heard. Just fucking killer.

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Thresholds to Adult Living

Because I’m Fucking Invisible

Getaway Car

Martha (The Dancing Hippo)

Babbling

Kick

Non-Servium

FRACTURE’S FINAL SHOW

Fracture and Franklin went on two US tours. The first, in the summer of 1994 and the second in the summer of 1995. Being a bunch of kids who were in school during most of the year, summer was the only time available for touring.

At the close of the second tour, it was revealed that Chris O’Neill, who sang for Fracture, would be moving to Bellingham Washington. It was a pretty big shock to everyone as no one ever really expects anyone to leave the gang.

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